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What the Internship Bust Means

December 10th, 2011

A London designer describes how the HMRC crackdown on unpaid internships could affect small fashion businesses…

Her Majesty’s Revenue & Customs has warned London Fashion Week designers that failure to pay interns the national minimum wage could lead to prosecution.

In a letter sent to 102 fashion brands, HMRC said that any business failing to pay employees over the age of 21 the minimum £6.08 hourly wage could find itself bearing the brunt of enforcement measures in the New Year.

‘These letters give fashion houses plenty of warning that they are under scrutiny,’ Michelle Wyer, HMRC’s assistant director for national minimum wage, said. ‘If they are not playing by the rules, now is the time to put things right. Non-payment of the national minimum wage is not an option.’

‘Our message is clear: don’t wait for us to come knocking on your door; put things right now and avoid a penalty and possible prosecution.’

Though the system of unpaid internships is roundly criticised and recognised as one that unfairly excludes non-affluent workers, interns are the engines that drive the fashion industry. The framework is so prevalent that most designers, public relations executives, editors and stylists in staff jobs today completed internships at the beginnings of their careers.

The looming crackdown (or as some have described it, the convenient distraction from the eurozone meltdown) spotlights the tenuous position of young brands. We sought comment from more than 10 designers, all of whom retain the services of interns. They or their representatives were uneasy about adding their voices to the fray. 

Then we reached Cozette McCreery. One of three designers behind NEWGEN-winning knitwear brands SIBLING and SISTER by SIBLING, McCreery was refreshingly candid about the dilemma that unpaid work poses for her business. Her comments illuminate the difficult position of emerging designers everywhere, so we reproduce them in full here:

  • ‘Everybody should be paid for their time, whether they’re stacking shelve at a supermarket or working for a big-name designer. Their time is important and their input into the workings and production of a collection is really vital. It’s a difficult one though, because the other thing is that any of us who have worked in the fashion industry have come through this route, so it seems very, very normal.
  • ‘Most people who are starting out in the industry just don’t have the funds. It’s just done with love, and that’s it. When the main designers aren’t getting paid—if you can’t find money to pay yourself—it’s really difficult to find money to pay others. 
  • ‘Internships are still seen as getting your foot in the door. So even though you might not be getting a regular wage, it’s almost like you do the time, and then you make the most of your short time that’s spent there, and in the end, quite often, what happens is that the company really wants you to stay and takes measures to actually keep you. We normally have just a couple of interns, but we bring on more in the run-up to LFW. We have interns who we’ve had since they were doing foundation courses coming back to help on certain things—we can’t be that bad. 
  • ‘I don’t want it to be seen as an excuse for people to not get paid, but you learn a vast amount at internships that you just don’t learn at college. Just people making tea is a godsend when you’re in a really busy studio. You arrive, and you’re given specific jobs. You get to learn how studios work and what you can bring to that environment, which is invaluable. And we do help. If we can help interns with re-looking at their portfolios or helping them with CVs or giving them references, of course we do that.
  • ‘Payment is normally worked out on a project basis. If there were a compulsory minimum wage, we would seriously have to restructure our company. We need the workforce. It would be great if the government could think of some incentive to actually say that there’s a way of helping to fund it.
  • ‘None of us want to be in a position where we don’t want to pay people—we don’t all sit here on moneybags, going “Ha ha ha, we don’t have to pay you.” But that’s taken from a very small company’s point of view. I don’t know how it would feel if you were a major designer, but then again, they must have people queuing up to work with them. Their first step in filtering people out is the idea that if someone wants this enough, they will be willing to do this for free, which is really a pretty despicable attitude when taken at face value. But then again, it’s become a traditional thing in fashion so to us feels very appropriate.’

What do you think? Is the internship system in fashion inherently unfair, just the way things work, a boon for aspiring fashion workers, or all of the above. Share your view in the comments section below. 

Milou Van Groesen by Hugh Lippe for Cushnie et Ochs S/S 12 Campaign

December 9th, 2011

Interesting; the triangle is crooked. Why is it crooked? Its crooked on all the images. One would ask if its an artistic proposition; or a mistake. Or are the designers crooked, and hence the result.

The high Low

December 8th, 2011

chic management Twenty-two year-old Brisbane-ite Angus Low may prove extra popular on the international circuit, once any runway colleagues suffering from back pain twig that he doubles as a physio. Low graduated last year from the University of Queensland with a Bachelor of Physiotherapy Studies and was awarded the Deans Commendation for academic excellence and has been working full-time at a private Brisbane hospital. Modelling part-time for the past two years, prior to June 2011, the biggest name on his modelling CV was the Mercedes-Benz Brisbane Fashion Festival. Enter the Spring/Summer 2012 menswear season in Milan and Paris and Low can now add shows for Lanvin, Prada, Yves Saint Laurent, Costume National and Raf Simons. And we can add his name to a bulging Aussie male model pack that is headed up by Andrej Pejic, Tom Bull, Jordan Coulter and Jack Vanderhart. Although all this transpired under the publicity radar back home, evidently Low was a major hit because two months ago, his Brisbane mother agency Dallys tells frockwriter, he shot Lanvin’s SS12 menswear campaign in New York with Steven Meisel, two other male models – and a bunch of snakes. Then last month in Paris, he shot Lanvins SS12 eyewear campaign with Stéphane Gallois. Low has just given up his day job to pursue modelling full-time. 

Founded in 1950 by June Dally Watkins, Dallys Model Management claims to be the oldest model agency in the southern hemisphere. 
Dallys was the first agency to sign Catherine McNeil and Nicole Pollard, among many others and repped Miranda Kerr from the age of 13-18, before she moved to Sydney and signed with Chic Management (which also reps Low, McNeil and Pollard). 

all images: chic management

China Glaze Let It Snow Holiday 2011 – Greens & Golds Swatches & Review

November 18th, 2011

Oh the weather outside is frightful, But the fire is so delightful, And since weve no place to go, Let It Snow! Let It Snow! Let It Snow!

Weve already had our first snowfall of the season here in the CLE and the last thing I want to do is encourage it to come trickling down. However, that didnt stop China Glaze, who is based in sunny California, from putting that earworm in my head.

For Holiday 2011, China Glaze introduces Let It Snow, a collection of twelve festive shades based on the season of giving.

When I previewed Let It Snow during my trip to Cosmoprof, I noticed that the collections display broke down the colors into three harmonious groups of four; Greens & Golds, Blue & Silvers and Reds. I decided to follow their lead and am starting with the Greens and Golds; Holly-Day, Glittering Garland, Twinkle Lights and Champagne Bubbles. Formula & Application: China Glaze is a 3-Free brand with a round brush that is both medium in length and firmness with enough give to allow for ease of control. The cap is slightly tapered and made of smooth plastic that is comfortable to hold.

I am really impressed with the pigmentation in all four polishes. Even the glitter, with its clear base, is so dense that it wasnt hard to get coverage. Of course I still needed three coats but the other three all flowed on easily with two coats. The China Glaze formula has a pretty signature squishy feel that I find aids in application. It makes the polish easier to control. Sometimes that can mean pigment is lacking but not in this case. All the polishes were a pleasure to deal with for the most part (see Champagne Bubbles).

China Glaze Glittering Garland is a wonderful mix of glitter, jelly and glass fleck. The blackened forest base has that squishy texture you would expect from a jelly yet its really pigmented. The combination of gold and green micro-glitter and glass fleck brighten up what could be a really dark polish. They play with the light showing a hint of sparkle no matter how low it is.

Of course the question is, how does it compare to my all-time favorite dazzling green, China Glaze Emerald Sparkle? For starters, GG has more yellow in its base, think evergreen vs forest, and the light green fleck in ES is replaced with gold giving an overall warmer appearance.

China Glaze Holly-Day looks like your average hunter green creme and, if you arent a green connoisseur like me, for all intents and purposes it is. Though if you are in the market for a chic, glossy green that falls somewhere between Astroturf and almost-black, Holly-Day will hit the spot. The pigmentation and application are so spot on, it is a pleasure to apply.

Amazingly enough I didnt find a dupe for it in my stash though I came across two close calls. Holly-Day falls in line between Nubar Forest and RBL Recycle. A little darker than Forest, more yellow than Recycle. Considering the formula, price tag and accessibility of H-D, I would definitely opt for it over the other two.

China Glaze Champagne Bubbles is not quite the pale hue that comes to mind when I think of champagne. Its a slightly burnished yellow gold frost/chrome peppered with silver flecks. The finish of the base can make avoiding brush strokes a bit more labor intensive but the silver particles help diffuse the situation. Application tip apply the polish to the sides of the nail first (strokes 1 & 2) and finish with one clean stroke down the middle to blend.

My first thought upon seeing Champagne Bubbles was China Glaze Cowardly Lyin. Not the updated 2009 version but the old school (pre-AII buyout) version. CB has the same frosty base as the original CL, maybe a touch more golden, though the glitz component makes the big difference. CBs silver flecks are a far cry different than the everything-is-illuminated gold glitter in CL.

China Glaze Twinkle Lights really needs to be seen in incandescent light to be appreciated. Its like the glitter comes alive as it takes on a foil-esque appearance. The clear base is packed with metallic red, green and gold glitter particles. As I stated above, I used three thin coats to get good coverage without sacrificing wear time. I find that thick layers of glitter are prone to chipping.

Off the top of my head I cant think of a polish with this exact shape and color palate of glitter though Im sure someone will come up with a dupe in the comments.

Bottom Line:While the colors arent exactly ground breaking, the formula, pigmentation and application of all four polishes make them stash-worthy. Im considering Holly-Day a backup for Recycle and Glittering Garland is the hands down winner of this group. Being that I have both version of Cowardly Lyin I dont see a point, personally, in hanging on to Champagne Bubbles. I also have 5 Golden Rings which I prefer over any of them in spite of its sheerness. Twinkle Lights is a perfect holiday themed glitter and makes an excellent top coat.

The China Glaze Let It Snow Holiday 2011 collection is available now at salons and beauty supply stores nationwide including Sally Beauty and ULTA. Online shoppers can head to Head2ToeBeauty.com, TransDesign.com and ULTA.com. China Glaze nail polishes retail for $3-6.50/ea, depending on the retailer, for a .5oz bottle. Twelve gift sets are also available that include adorable gift items with different combinations of colors from the collection.

Thoughts on this first part of the collection? Which colors do you plan to pick up? Do you opt for traditional holiday colors like green, red, gold, etc? What is your favorite China Glaze Holiday collection/polish?

Colorful Fall Bridesmaid Dresses & Shoes

November 18th, 2011

1. J.Crew $150  2. Alice + Olivia $195  3. J.Mendel resort 2011  4. TIbi $400  5. Badgley Mischka on sale!  for $525  6. Diane von Furstenberg $278  7. Madewell $178  8. Fergie $80  9. Asos $143  10. Adam $465  11. Seychelles $99  12. Madison Harding $330  13. Anthoropologie $28  14. J.Crew $225  15. Mango $50  16. Brian Atwood $300  17. Mango $80  18. Halston Heritage $475  19. Mango $80  20. Topshop $92  21. Susana Monaco $185  22. Asos $80  23. Asos $80  24. Topshop $100

Air Jordan 3 Black/Cement New Photos (All Sizes)

November 16th, 2011

We are exactly a week away from one of the most anticipated releases of 2012, the Black Cement Air Jordan 3. Originally released in 1988, the Black Cement Air Jordan 3 has retroed twice already (1994, 2008). However, we still expect these to fly off of the shelves, as this is one of the most celebrated models ever created. The Nice Kicks shop will have this retro available in toddler sizes, GS sizes and adult sizes. Will this be a definite purchase for you on Black Friday?

Air Jordan 3 Black/Varsity Red-Cement Grey 136064-010 (adult), 398614-010 (GS), 832033-010 (toddler) November 25, 2011 $160

Nice Kicks 2815 Guadalupe Austin, TX 78705 @NiceKicksShop

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